- Cables & Connectors
- Computer Music
- DJ Equipment
- Keyboards And Midi
- Monitoring
- Musical Instruments
- Music PC Systems
- PA & Live Sound
- Recording
- Studio Equipment
Building on a legacy of award-winning FireWire audio interfaces, the M-Audio ProFire™ 2626 brings next-generation performance to your PC or Mac host-based recording system.
This powerful interface delivers 26 x 26 simultaneous I/O, complete with an onboard DSP mixer sourced from up to 52 audio streams.
It features every kind of connection you need—including award-winning Octane™ preamp technology on all eight analog inputs, ADAT, S/PDIF, word clock and MIDI. Critically acclaimed JetPLL jitter elimination technology ensures pristine audio quality and reliable synchronization all the way up to high-definition 24-bit/192kHz resolution.
In addition, ProFire 2626 offers easy FireWire connectivity, extremely low latency, dual headphone outputs, front-panel ¼” instrument inputs and standalone operation. Pro Tools M-Powered™ compatible.*
**Compatible with Pro Tools M-Powered 7.4 with downloadable update. Please visit m-audio.com for update availability. 96kHz and 18 x 18 I/O maximum with Pro Tools M-Powered.
Full Features
Award-winning Octane preamp technology
The quality of your preamps is critical to how your music sounds. Embraced by reviewers and audio professionals alike, M-Audio set a new standard with the 8-channel Octane™ preamp. The ProFire 2626 delivers the same award-winning Octane technology with its eight onboard mic preamps, giving you pristine audio fidelity right from the start of your signal path. In addition to exceptional sound, each preamp has a generous 75dB gain range, 48V phantom power, and a -20dB pad.
User-assignable master volume control
The ProFire 2626 interface delivers a new level of flexible control via the customizable master volume knob. It’s assignable to any or all of the four analog output pairs, so you can choose which output pair will feed your main monitors. You can also choose whether the master volume knob influences either or both of the two headphone outputs, or operates independently of them. In addition, you can assign the master level control to all four output pairs to uniformly attenuate up to a 7.1 surround mix.
High-definition 192kHz sound and solid performance
The ProFire 2626 employs high-quality converters to deliver sampling rates up to 192kHz for pristine, high-definition sound quality. The unit also features critically acclaimed JetPLL technology to provide extremely stable synchronization and eliminate jitter that can degrade audio quality. In addition, the ProFire 2626 allows master or slave operation via internal clock, ADAT optical, S/PDIF and word clock. M-Audio’s mature, stable drivers deliver solid performance and ultra-low latency. Complete with Octane preamp technology and premium A/D-D/A converters, you won’t find a better sounding or more flexible host-based audio interface.
Pro Tools M-Powered Compatible
The ProFire 2626 is an extremely powerful interface for Pro Tools M-Powered. Flexible I/O, top-quality sound and low latency round out an incredible recording environment that is file-compatible with many other pro and project studios around the world.*
**Compatible with Pro Tools M-Powered 7.4 with downloadable update. Please visit m-audio.com for update availability. 96kHz and 18 x 18 I/O maximum with Pro Tools M-Powered.
Onboard DSP mixer and router
Customize your setup and record the way you want thanks to the power and flexibility of the ProFire 2626 onboard DSP mixer and router. Use the router to select from up to 52 audio streams and send them to any of the 26 hardware outputs.* The adaptable onboard DSP mixer allows you to select from any of the 26 hardware inputs and 26 software returns as sources for any of its 18 input channels—allowing you to create up to eight stereo mixes. You can also create presets and instantly recall these setups at a later date.
*Routing in stereo pairs.
Standalone operation
The ProFire 2626 doubles as a standalone 8-channel preamp, 8-channel A/D-D/A converter and digital format converter. In standalone mode, the eight analog inputs route to the first eight ADAT optical output channels. This facilitates use of the line, instrument and mic ins—including the preamps—with other digital gear. Similarly, the first eight ADAT optical input channels feed the eight analog outputs to provide D/A functionality. You can also disable the D/A conversion to allow the analog input channels to route to both the analog and ADAT optical outputs—transforming the ProFire 2626 into a standalone 8-channel mic pre with eight discrete analog outputs plus 8-channel ADAT output. When the second optical port is not used for A/D conversion, the ProFire 2626 can also convert coaxial S/PDIF to optical S/PDIF.
Professional connectivity for the most demanding projects
The ProFire 2626 features essential connectivity for any studio, delivering rock-solid stability and optimal sound quality. Analog inputs are sourced from the eight combo jacks as either XLR mic or ¼” TRS balanced line inputs. In addition, analog channels 1 and 2 provide easily accessible ¼” TS instrument jacks on the front panel. Eight ¼” TRS connectors provide balanced line outputs for monitoring and interfacing with other outboard gear. Digital I/O is available via 2 x 2 S/PDIF and 16 x 16 ADAT Lightpipe. The two front-panel headphone jacks feature separate sources and independent level controls for additional cue mixing flexibility.
Line Inputs (Balanced)
Frequency Response +/- 0.1dB, 20Hz to 22kHz (48kHz)
+/- 0.4dB, 20Hz to 80kHz (192kHz)
Dynamic Range 110dB, A-weighted
Signal-to-Noise Ratio -110dB, A-weighted
THD+N 0.0008% (-102dB), 1kHz, -1dBFS
Crosstalk -120dB @ 1 kHz
Maximum Input level +19.6dBu, typical
Input Impedance >20k Ohms, balanced
Mic Inputs (Balanced) at Min Gain, No Pad
Frequency Response +/- 0.1dB, 20Hz to 22kHz
Dynamic Range 109dB, A-weighted
Signal-to-Noise Ratio -109dB, A-weighted
THD+N (min gain, no pad) 0.0011% (-99dB), 1kHz, -1dBFS
Crosstalk < -120dB @ 1kHz
Maximum Input level +6.5dBu, no pad
Input Impedance 3.7k ohms, balanced, no pad
Adjustable Gain >53dB without pad
Pad -20dB
Inst. Inputs (Unbalanced) at Min Gain, No Pad
Frequency Response +/- 0.1dB, 20Hz to 22kHz
Dynamic Range 108dB, A-weighted
Signal-to-Noise Ratio -108dB, A-weighted
THD+N (min gain, no pad) 0.0014% (-97dB), 1kHz, -1dBFS
Crosstalk < -110dB @ 1kHz
Maximum Input level 13.7dBV, typical, no pad
Input Impedance 1M Ohm, unbalanced
Adjustable Gain >53dB without pad
Pad -20dB
Line Outputs (Balanced)
Frequency Response +/- 0.1dB, 20Hz to 22kHz
+/- 0.6dB, 20Hz to 80kHz (192kHz)
Dynamic Range 110dB, A-weighted
Signal-to-Noise Ratio -110dB, A-weighted
THD+N 0.0013% (-98dB), 1kHz, -1dBFS
Crosstalk < -110dB @ 1kHz
Maximum Output Level +20.2dBu balanced, typical
Output Impedance 300 Ohms, balanced
Headphone Outputs at Maximum Volume into 32 Ohm Load
Frequency Response +/- 0.4dB, 20Hz to 22kHz
Dynamic Range 110dB, A-weighted
Signal-to-Noise Ratio -110dB, A-weighted
THD+Noise 0.007% (-83.0dB), 1kHz, -1dBFS
Max Output Level into 32 ohms +6.8dBV, typical
Power into Ohms 150 mW into 32 Ohms
Output Impedance 75 Ohms
Load Impedance 24 to 600 Ohms
Compatibility
FireWire
ASIO
DirectX
MME
GSIF2
Core Audio
Pro Tools M-Powered
Minimum System Requirements (PC)
Minimum System Requirements
Windows XP* (SP2) or Windows Vista (32-bit)
Pentium 4
1.6GHz, 512MB RAM (1GB RAM with Windows Vista)
FireWire 400 (IEEE 1394a) port
Recommended System Specifications
Windows XP (SP2) or Windows Vista (32-bit)
Pentium 4
2GHz, 1GB RAM
* Home and Professional Edition only. Windows Media Center Edition is not supported.
** Please check the minimum system requirements of your DAW software as they may be higher.
Minimum System Requirements (Mac)
Minimum System Requirements
Mac OS X 10.4.10, 10.5.1
Macintosh G4*
1GHz, 512MB RAM
FireWire 400 (IEEE 1394a) port
G4 accelerator cards not supported/G5 required for sample rates above 96kHz.
Recommended System Specifications
Mac OS X 10.4.10
Macintosh G5
2GHz, 1GB RAM
M-Audio recommends that you check your software's minimum system requirements, as they may be higher.
M-Audio, a business unit of Avid Technology, Inc, is a leading provider of creative tools for computer-centric musicians and audio professionals. Founded in 1988, the Company now has independent offices in the US, Canada, UK, Germany, France and Japan. M-Audio is the driving force in the industry empowering musicians to create, perform and record with complete mobile hardware/software solutions that have forever changed when, where and how music is made. The Company's reputation for delivering cutting edge technology in easy-to-use, affordable products has garnered significant recognition by industry experts, including world-class artists, recording studios and magazines. M-Audio's advanced engineering and value-conscious pricing has also helped to bring the joy of creating high-quality music to virtually anyone with the desire.
For added piece of mind, our range of care plans will allow you to relax knowing that if you have a system failure that can’t be rectified over the phone you can return the machine back to us to diagnose the fault for you...
Please Note: Your care plan must be purchased within 30 days of receiving PC.
Q. I have discarded my box and packaging materials - what can I do?
A. We can send you a shipping carton and packing materials. The charges are:Q. How much will it cost to have the PC collected?
A. If you are unable to return your PC to us then we can send a courier to collect it on your behalf. The charges are:Q. How much will it cost to return the computer back to me?
A. Once your computer is repaired we will return it to you free of charge for the stated period of your chosen care plan.Q. I live outside of the UK, can I be covered by your care plan?
A. For all orders outside the UK please contact us to discuss a bespoke care plan.