Presonus Firestudio Tube Firewire Audio Interface
The FireStudio Tube is a world-class 24-bit/96k professional FireWire recording system loaded with the perfect combination of inputs and outputs for bands, producers, musicians and engineers to produce commercial-quality recordings.
The FireStudio Tube is bundled with PreSonus Studio One Artist, our groundbreaking music creation program, and over 4 GB of virtual instruments, plug-ins, loops, and samples to get you started making music immediately.
Two SuperChannels - Tube Preamplifiers with Limiter
The front panel of the FireStudio Tube is loaded with two “SuperChannels” featuring class A vacuum tube microphone and instrument preamplifiers along with full-featured analog limiters.
The tube preamplifiers use a high gain, military grade 12AX7 tube for maximum gain, low noise and high headroom. Neutrik combo connectors allow both XLR microphone input and hi-Z instrument input. Preamp controls include preamp gain and tube drive to achieve a wide range of sounds from smooth, clean and clear, to warm tube saturation. An 80Hz high pass filter is also located on the front panel to remove room rumble and unwanted lows.
Analog Dual Domain Limiters On Board
The FireStudio Tube’s Limiter features a VCA-based ultra fast Dual Domain RMS and peak detection circuit used in the award-winning DigiMax 96K, delivering the most musical limiter available. The Analog Dual Domain Limiters in the SuperChannel are located after the preamplifier and BEFORE the analog to digital converter in the signal path. This allows you to maintain high resolution recording levels without clipping, allowing you to keep the vocals up front, the kick and snare consistent, and the bass solid and punchy. Controls for the limiter include Threshold and Gain make-up as well as a Limiter in/out button. Fast-acting LED metering on the front panel displays preamp input and limiter gain reduction for the two tube SuperChannels.
Perfect I/O for Music Production
The FireStudio Tube delivers all the analog I/O needed for professional recording sessions, featuring sixteen analog inputs including two tube SuperChannels on the front panel, eight class A award-winning XMAX microphone preamplifiers and six balanced TRS line inputs on the rear panel. Outputs include six balanced TRS outputs and PreSonus’ signature ultra loud and clear headphone output that “goes to 11”. MIDI I/O is also included on the rear panel for MIDI instruments, keyboards and controllers. The FireStudio Tube’s combination of microphone, instrument and line inputs is perfect for a band to simultaneously record drums, bass, guitar, vocals and keyboards without any additional preamplifiers.
The FireStudio Tube can be daisy-chained with one or more FireStudio Tubes or FireStudio Projects to expand your number of recording inputs. Two and three units daisy-chained in any combination have been tested at PreSonus, however, the total number of units that can be daisy-chained depends on your computer’s processor speed, amount of RAM and computer configuration.
All members of the FireStudio family of interfaces, including the StudioLive 16.4.2 mixer, come bundled with Universal Control software. Universal Control is a powerful, flexible, and easy to use control-panel application that allows you to daisy-chain to up to 4 FireStudio-family devices for a maximum of up to 52 inputs and outputs.
Universal Control consists of the Launch window and the Device window. In the Launch window, you can set the sample rate, clock source, safe mode, buffer size (PC only), and WDM routing (PC only) for all connected FireStudio-series interfaces. Each device is listed at the bottom of the window, along with Device Window buttons that open each interface’s Device window.
The Device window provides level and routing controls for each FireStudio-series interface’s internal mixer, enabling you to set up zero-latency monitor mixes. Input and output metering have been optimized for ultra-fast screen display and minimum CPU usage, and you can give each interface a custom name. You can use any device in the chain as the master clock source, or you can slave the entire chain to an external digital device using any of the available digital inputs in the chain.
8 XMAX Class A Preamplifiers
The FireStudio Tube includes eight custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones. Many other companies offering recording interfaces add the cheapest possible microphone preamplifier as an afterthought to the interface. PreSonus knows that the preamplifier is a key component in the sonic quality of a recording. The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results. A cheap "off the shelf op-amp" type mic preamp that is found in most interfaces translates into thin, noisy and harsh results.
All XMAX preamplifiers are built with the same three elements:
High Voltage - The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound.
Discrete - No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency.
Class A - When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between.
Digital Converters and JetPLL Sync
The FireStudio Tube touts A/D/A converters with a dynamic range of over 114dB for unbelievable clarity as well as synchronization using patented JetPLL™ jitter reduction technology. JetPLL™ incorporates noise shaping to virtually remove all audio band jitter. JetPLL™ ensures the highest converter performance possible, resulting in better stereo separation and clearer more transparent audio. JetPLL™ delivers ultra-fast locking to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. JetPLL™ ensures near perfect clock performance when networking audio devices, thus creating the most stable and robust synchronization to the computer.
Studio One Artist—Plus Gigabytes of Creative Resources
The FireStudio Tube is bundled with an exceptional software package, featuring PreSonus Studio One Artist, the amazing new DAW software for Mac OS X and Windows XP and Vista that makes producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds.
Compare Studio One Artist and bundled extras to what comes with competing mobile interfaces:
Please note free delivery cannot be used in conjunction with any other offer, for example discount codes.
Normal Charges are:
All orders over £20.00 (excluding PC systems) will be delivered free (UK Mainland)
All orders below £20.00 will start as low as £2.49 depending upon weight and qty(s)
Typically most items such as an Audio Interface or a Microphone would cost £5.49. (UK Mainland)
Delivery of PC Systems is £19.99. (This includes Insurance and Packing Materials)
UK Mainland 1-2 Days
Non UK Mainland Addresses please allow 1-3 Days
Delivery To Belgium / France / Germany please allow 2-3 Days
Music PC Systems - Please allow 5- 7 Working Days (UK) 7-14 (Rest of the World)
French - Pour la Livraison s'il vous plaît permet en France 2-3 Jours
German - Für Lieferung Nach Deutschland erlaubt bitte 2-3 Tage
On delivery you must inspect the goods carefully for damage as Inta Audio is unable to accept responsibility for damage in transit, shortage of delivery or loss of products unless the customer advises Inta Audio of such within three working days from the date of delivery.
We ask that you follow these guidelines to help us process your return as quickly and efficiently as possible:
1. Please keep your order reference to hand. This confirms your original order and gives us the necessary details to authorise the product’s return.
2. Contact our Customer Services Team on 02476 369897 (or e-mail firstname.lastname@example.org). We will then send you an RMA number and returns form which needs to be completed and sent back with the returned item(s).
3. (If the order has been unpacked) re-package it to ensure that it is being returned in its original condition. Please make sure all items relating to the product are returned, including manuals and cables.
4. When returning an item please obtain a ‘proof of postage’ receipt from the Courier.
Returned items must be mailed within 10 days of when the RMA Number has been issued. Items received with a post date 30 days after your requested return will NOT be eligible for refund.
Please note: Our returns policy is quite straightforward but there are a number of conditions that we ask our customers to comply with before applying:
1. It is your responsibility to request a return. If you don’t tell us you want to make a return, we don’t know. Once you do tell us, we will do everything we can to action it.
2. If you have not requested a return within 28 days of receiving an order, we will have assumed that you are intending to keep it and we will not authorise a return.
3. We always refund the payment according to how the original purchase was made and aim to do so within 72hrs of the return being received by us.
4. Returned goods are liable for a restocking fee of 15% towards handling and repackaging if the order is not returned in its original, unopened packaging. This charge will be subject to our inspection of the returned goods.
5. Delivery charges will not be refunded unless the delivered goods are faulty.
6. Replacement products are dispatched immediately after the returned goods have been received and accepted by Inta Audio.
7. Items that develop a fault within 30 days of delivery are eligible for a replacement or a refund. Delivery costs are also reimbursed for faulty items. Please contact our Customer Services Team on 02476 369898 if you believe your item has developed a fault.
Finally, please remember that notifying us of your intention to apply for a return, saving the delivery paperwork and keeping the order in its original packaging will help both you and Inta Audio to process the return quickly.
If you have any questions about our Returns policy please telephone us on 02476 369897 or email us at email@example.com.