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Rob Papen RP-Distort - EDUCATION (Serial Download)
  • Rob Papen RP-Distort - EDUCATION (Serial Download)
Rob Papen

Rob Papen RP-Distort - EDUCATION (Serial Download)

Code: RPDISTEDU-120
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  • 33 Distortion types
  • Included compressor, analogue filter and widener
  • Turn of unused modules
  • Digital Download Only
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THIS IS AN EDUCATIONAL VERSION. YOU MUST PROVIDE PROOF OF EDUCATIONAL STATUS WHEN ASKED TO BE ELIGIBLE FOR THIS PRODUCT.

Please note, this product is a serial download and not a boxed version. Once your order has been placed, you will be emailed shortly after will a download key to access your software. You can manage your software below.

https://www.robpapen.com/


RP-Distort

RP-Distort is just like any other distortion apart from one key difference. It offers so much more than just distortion!

RP-Distort offers 33 distortion types, way more than most others. These include ring modulation, FM, lo-fi, two band distortions and more. You have total control over each distortion, such as sample & hold, bit depth, mix, noise and other. There is even a dedicated EQ and noise gate module.

Added to the distortion is an analogue filter, compressor and widener. The analogue filter has been expertly crafted to sound as authentic as possible, while the compressor can add extra punch and grit, bringing out every element of the distorted sound. The widener is a useful tool for adding extra depth to a boring mono sound, bringing it out into the stereo field.

Each module is affected according to a signal path. This can be changed to suit your needs, however each module can also be turned off. So if you only need the widener, you can have just this active!

 

Features:

Presets section:
  • Uses sound banks composed of 128 presets.
  • Preset handling with copy, paste, clear and compare function.'Quick Browser', 'Recently Browsed' and 'Favorite' functions.All settings are stored inside each preset.
  • Presets are stored in clear categories banks.
ESC:
  • External controller hardware (fader-box) settings can be saved and restored. 
Distortion section:
  • On/Off function.
  • Amp Simulator
    Amplifier simulation effect. Several types of amp types are simulated. Great for creating edgy sounds.Type of amp simulation. Settings are:- None, 4x10" guitar speakers, 4x12" guitar speakers, Bass speaker, Combo speaker and Radio speaker.Distort Amount of distortion added to the sound.
  • Cabinet Simulator
    Several types of cabinet types are simulated. Great for creating edgy sounds.Type of cabinet simulation. Settings are:- None,Fender,Marshall & Off Axis.Distort Amount of distortion added to the sound.
  • Clipper
    Hard clipper, this limits output which is to above or below the set clipping levelNegative The clipping level for the negative signal. From 0% (no clipping) to 100% (maximum clipping).Positive The clipping level for positive signal. From 0% (no clipping) to 100% (maximum clipping).Amount, the amount of clipping from 0% (no clipping) to 100% (fully clipped)
  • Cos
    Cosine distortion effect.Frequency, Frequency of the cosine effect.Amount, Amount of cosine distortion
  • Cross 1
    Cross, Position for cross distortionAmount, Amount of cross distortion
  • Cross 2
    Negative Cross distortion position for the negative signalPositive Cross distortion position for the positive signal.Amount, Amount of cross distortion.
  • Foldover
    Fold-over distortion, this amplifies and then 'folds over' the sound.Frequency Frequency of the fold-over distortion.Amount, Amount of fold-over distortion
  • Fuzz
    Fuzz-box distortionFrequenter Frequency of the fuzz-distortion effectAmount, Amount of fuzz distortion
  • Gapper
    Gapper distortion,Frequency Frequency of the gapper distortion effectAmount, Amount of fuzz distortion
  • Hard-limiter
    Hard limiter, this limits output which is to above or below the set limit level and thenboosts the signal.Limit The clipping level for the signal. From 0% (no limiting) to 100% (maximum limiter).Amount, The amount of post-limiting boosting.
  • Low-Fi
    Low-Fi effect, this reduces the sample & bit rate & adds noise to the signal.Bits Bit level of the signal.Sample Rate Sample rate of the signal.Noise Amount of noise added to the signal.
  • OverDrive
    Over-drive effectDrive, Drive for the over-drive effectAmount Over-drive mixing amount.
  • Octave 1
    Octave effect, this shifts the sound up an octave, Negative Mixing for the negative signal. Positive Mixing for the positive signal.
  • Octave 2
    Octave effect type 2,Frequency Frequency of the octave effect.Amount, Amount of octave effect.
  • Power
    Power wave-shaping effect.Drive, drive for the power effectAmount, Power mixing amount.
  • Rectify
    Rectifies the signal, by multiplying the negative signalRectification Rectification of the negative signal, from -100% (no rectification), 0% (half rectification) to 100% (full rectification)  Amount, Rectification mixing amount.
  • Ring Modulation
    The ring modulates (multiplies) different signals together depending on the type.Type Sine, Saw, Sqr & Tri, multiplies the input with the set oscillator.Frequency Sets the oscillator frequency.Amount Sets the ring modulation amount.
  • Saturate
    Saturation effect.Saturation Saturation levelAmount Saturation mixing amount
  • SoftLimit
    Soft-limiter effectAmount Soft-limiter amount
  • Squarify
    Squares the signal (turns it to a square wave), and then lowpass filter it.Negative Amount the negative signal is turned to a square wavePositive Amount the positive signal is turned to a square waveFilter Amount this square wave is lowpass filtered.
  • Transient
    Distorts the transients, i.e. the beginnings of sounds.Range Transient rangeAmount Transient distortion amount.
  • Tube Simulator
    Tube distortion effect, by saturating, limiting, rectifying and bandpass filtering the input.Limit, Hard limiter threshold.Rect Amount of rectification, from -100% (no change), 0% (half) to 100% (full).Saturate Amount of saturation..Tone Frequency of the band pass filter.Emphasis Bandwidth of the band pass filter.
  • Atan
    Mathematically determined distortion effect based, which distorts the sound by waveshaping using an arc-tan function.
  • Clipper 2
    This effect provides another interpretation of a clipping distortion. Symmetry control is added for further sound shaping.
  • FM
    This effect uses the input to modulate the frequency of an oscillator generated by RP DISTORT.
  • Waveshaper
    The waveshaper effects waveshapes the low & high signal differently and then pass it through a low-pass filter.
  • Two Band
    The last seven distortion effects come in two-band varieties. These are Two Band Cos, Fuzz, Limiter, OverDrive, Power, Rectification and Saturation.
    The two band varieties work in the same manner as their single-band version but are able to process two different parts of the input signal separately. RP DISTORT splits the input signal in a low and a high frequency band. The split frequency determines the cutover point. The low and high band are the then separately distorted, and then mixed back together, using the mix control,
    The two band effects allow you for instance to maintain a solid tight bass with screaming high frequency material on top from a single wide band input signal.
EQ Unit (inside the distortion section):
  • 4 Band Equalizer effect.
  • On/Off function.
  • Low 125 Hz volume | Mid 1 500 Hz volume | Mid 2 2 kHz volume | High 8 kHz volume.

Noise gate (inside the distortion section):

  • Noise gate unit, the noise-gate is an audio effect that removes any sound (gates) that is below a threshold volume.
  • On / Off function.
  • Threshold / Attack / Hold / Release paramaters.
Filter section:
  • RP-Distort has a low & high pass filter, in the order low-pass filter then high-pass filter.
  • On/Off function.
  • 12 / 24dB Selects between a 12dB and a 24dB filterLow Frequency of the low pass filter.
  • Low Q Resonance of the low pass filter.
  • High Frequency of the high pass filter.
  • High Q Resonance of the high pass filter.
Compressor:
  • audio compressor with on/off selector
  • threshold, ratio, attack, release and volume paramters
Modulation:
  • 4x free modulation routings with amount control.
  • 4x LFO with, tempo based sync mode,  waveform, speed, human feel, symmetry control
  • bypass button for all active modulations
  • global amount control for all active modulations
  • PC: 32 & 64 bits VST and RTAS for Windows XP / Vista / Windows 7
  • Mac: 32 & 64 bits AU and VST and 32 bit RTAS for OSX 10.5 or higher
    Mac: 32 bit AU, VST & RTAS for OSX 10.4 (Tiger)
  • Serial/license system, 2nd serial for 2nd computer/laptop are available after you have registering the product's original serial/license.
Rob Papen RP-Distort - EDUCATION (Serial Download)

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Digital Downloads (buying software)

All software marked as "serial download" or "digital download" will be delivered via email within normal office hours.

Simply add the software to the basket and at the delivery stage in the checkout please select "Digital Download - Software by email" as your delivery method


Delivery Charges (Main Products)

All orders over £20.00 will be delivered free via our standard delivery 2-3 days (UK Mainland)

If you need your item faster we also offer a Priority Tracked service at £3.99 (1-2 days) or Next Day Tracked £5.99

(please ensure you add a mobile number to your order for tracking)

Saturday delivery is available when ordered before 2pm (Mon-Fri)

All orders below £20.00 will start as low as £1.99 depending upon weight and qty(s) (UK Mainland) 

All Delivery options will be available at the delivery stage in the checkout


EU Delivery Times

Non UK Mainland Addresses please allow 1-3 Days
Delivery To Belgium / France / Germany please allow 3-4 Days
Music PC Systems - Please allow 5-7 Working Days build time (UK) 7-14 (Rest of the World)

French - Pour la Livraison s'il vous plaît permet en France 2-4 Jours
German - Für Lieferung Nach Deutschland erlaubt bitte 2-4 Tage

Delivery Notes
On delivery you must inspect the goods carefully for damage as Inta Audio is unable to accept responsibility for damage in transit, shortage of delivery or loss of products unless the customer advises Inta Audio of such within three working days from the date of delivery.

 

Returns Policy

We ask that you follow these guidelines to help us process your return as quickly and efficiently as possible:

1. Please keep your order reference to hand. This confirms your original order and gives us the necessary details to authorise the product’s return.

2. Contact our Customer Services Team on 02476 369898 (or e-mail cs@inta-audio.com). We will then send you an RMA number and returns form which needs to be completed and sent back with the returned item(s).

3. (If the order has been unpacked) re-package it to ensure that it is being returned in its original condition. Please make sure all items relating to the product are returned, including manuals and cables.

4. When returning an item please obtain a ‘proof of postage’ receipt from the Courier.


Returned items must be mailed within 10 days of when the RMA Number has been issued. Items received with a post date 30 days after your requested return will NOT be eligible for refund.

Please note: Our returns policy is quite straightforward but there are a number of conditions that we ask our customers to comply with before applying:

1. It is your responsibility to request a return. If you don’t tell us you want to make a return, we don’t know. Once you do tell us, we will do everything we can to action it.

2. If you have not requested a return within 28 days of receiving an order, we will have assumed that you are intending to keep it and we will not authorise a return.

3. We always refund the payment according to how the original purchase was made and aim to do so within 72hrs of the return being received by us.

4. Returned goods are liable for a restocking fee of 15% towards handling and repackaging if the order is not returned in its original, unopened packaging. This charge will be subject to our inspection of the returned goods.

5. Delivery charges will not be refunded unless the delivered goods are faulty.

6. Replacement products are dispatched immediately after the returned goods have been received and accepted by Inta Audio.

7. Items that develop a fault within 30 days of delivery are eligible for a replacement or a refund. Delivery costs are also reimbursed for faulty items. Please contact our Customer Services Team on 02476 369898 if you believe your item has developed a fault.

Finally, please remember that notifying us of your intention to apply for a return, saving the delivery paperwork and keeping the order in its original packaging will help both you and Inta Audio to process the return quickly.

If you have any questions about our Returns policy please telephone us on 02476 369898 or email us at cs@inta-audio.com.