Motu UltraLite MK3
The Motu UltraLite-mk3 provides flexible and mobile bus-powered operation, professional audio quality at samples rates up to 192 kHz and plenty of I/O, including two mic/instrument inputs, six line-level analog inputs, ten channels of analog output, stereo S/PDIF and a discrete stereo headphone output.
Housed in a rugged, compact enclosure you can take anywhere, the UltraLite-mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the UltraLite-mk3 provides 10 separate inputs and 14 separate outputs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer — with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
After programming the on-board mixing in the studio, unplug the UltraLite-mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The UltraLite-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
UltraLite-mk3 Mic/guitar inputs
Two mic/guitar inputs are equipped with high quality preamps and all the features you need to record any mic or guitar with excellent sound quality.
Each input is equipped with its own 48V phantom power switch and three-stage 0/-18/-36dB pad switch.
Digitally controlled precision analog trim
The preamps provide 24 dB of gain adjustment in precise 1 dB increments using the detented digital rotary encoder. As you turn the encoder, you see graphic and numeric feedback in the front panel LCD, so you know exactly how much gain you are applying. The gain adjustment itself is smooth because it is analog, but the digital control gives you both precision and the ability to save and recall trim settings. You get the best of both worlds: analog trim with digital precision and control.
Digitally controlled precision analog trim is also available on all of the Ultralite-mk3's balanced quarter-inch (TRS) analog inputs on the rear panel. Level matching analog inputs has never been easier or more convenient. You can carefully tune the balance among your analog inputs using the CueMix FX software and then save the entire configuration on disk for instant recall. You can create and save as many trim configurations as you need.
UltraLite-mk3 Comprehensive I/O
The Ultralite-mk3 allows you to connect a wide variety of studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and more.
Front panel I/O
The Ultralite-mk3's front-panel volume knob controls the headphone or main outputs with the press of a button. Additionally, the knob can be programmed to control any combination of outputs (analog and/or digital). For example, it can control monitor output for an entire 5.1 or 7.1 surround mix.
Digitally controlled analog input trim
All of the Ultralite-mk3's analog inputs are equipped with digitally controlled analog trim controls that allow adjustments in precise 1 dB increments. The mic/guitar input trims can be adjusted using front-panel digital rotary encoders that provide feedback in the front panel LCD. All analog inputs, including eight TRS analog inputs, can be trimmed using the CueMix FX control software for Mac and Windows.
This allows you to fine-tune your trim settings for synths, effects modules and a wide variety of analog inputs for optimum levels. Different trim configurations can then be saved as files on disk for instant recall.
Rear panel I/O
Six balanced (TRS) 24-bit analog inputs and eight outputs can operate at sample rates up to 192 kHz (a total of eight analog inputs and ten analog outputs). RCA S/PDIF connectors also supply independent stereo digital I/O.
| |
Input |
Output |
| Analog 24-bit 192-kHz on +4/-10 bal/unbal TRS |
6 |
8 |
| Mic preamps 24-bit 192-kHz on XLR/TRS combo |
2 |
- |
| Main outputs 24-bit 192kHz on bal TRS |
- |
stereo |
| Headphone output |
- |
stereo |
| S/PDIF 24-bit 96-kHz (digital) |
stereo |
stereo |
| Total |
10 |
14 |
Control room monitoring
Powered monitors can be plugged directly into the outputs of the Ultralite-mk3 and you can attenuate the output from the software or the front-panel VOL control. Main out volume is not limited to stereo operation: quad, 5.1, 7.1 and even user-defined configurations are available. You can even program the Ultralite-mk3 to control all 14 outputs with the VOL knob.
UltraLite-mk3 Mixing and effects
The UltraLite-mk3 is an audio interface, but it's also a 14-bus digital mixer, complete with EQ, compression and reverb.
The UltraLite-mk3 is really two devices in one: an audio interface plus a 10 x 14 digital mixer. In fact, you could even think of the UltraLite-mk3 as a digital mixer in a half rack-space form factor.
Operating as either a computer interface or stand-alone, the UltraLite-mk3 provides DSP-driven digital mixing with effects processing (reverb, EQ and compression) for all 10 inputs and 14 outputs. You can connect all your gear and then mix, process and monitor everything from the UltraLite-mk3’s main outs or headphone jacks.
A 10 input by 14 bus digital mixer with effects
All I/O is routed to the on-board 14-bus (7 stereo) digital mixer driven by hardware-based DSP with 32-bit floating point precision. The mixer allows you to apply no-latency effects processing to inputs, outputs or busses directly in the UltraLite-mk3 hardware, independent of the computer. Effects can be applied when the UltraLite-mk3 is operating stand-alone (without a computer) as a complete rack-mounted mixer. Input signals to the computer can be recorded wet, dry, or dry with a wet monitor mix (for musicians during recording, for example).
Complete mixing at your fingertips
All of the mixer settings in the UltraLite-mk3 are accessible from the programmable front-panel backlit LCD. You can also launch the CueMix FX™ control software for Mac OS X, Windows XP and Windows Vista. CueMix FX provides complete on-screen access to the UltraLite-mk3's on-board, hardware-based mixing environment.
UltraLite-mk3 CueMix FX softwareCueMix FX gives you comprehensive graphic control over your mix.
CueMix FX is a completely new software front-end with attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all UltraLite-mk3 mixing features, digitally controlled trims and other settings.
Inta Audio recommends the Motu UltraLite MK3 by Motu
The Motu UltraLite MK3 offers great value for money, features, build quality and reliability.