Real life applications
· Automate the tedious process of making a sampled groove fit the tempo of your song.
· Change the tempo of a groove without altering its pitch.
· Change the timing of the groove – you can even quantize it!
Tuning and Detuning
· Change the pitch of a groove without altering its tempo.
· Make pitched grooves (like guitar riffs) fit into songs in other keys.
Remodel the Groove!
· Remove and/or replace any sound inside the sampled groove without altering its feel.
· Create variations and fills out of a single loop.
· Alter the volume of the individual sounds in the groove.
Processing
· Use ReCycle’s Envelope, Transient Shaper and EQ to energize your loop.
· Send different sounds in the groove to different sampler outputs or audio channels, for individual processing.
· Alter the ambience of a groove.
· Automatically normalize the levels of the sounds in the groove for optimum sound quality.
Go beyond the Loop!
· Automatically isolate and extract individual sounds out of long samples.
· Use the feel of the groove to quantize other MIDI recordings.
New in ReCycle 2.1
With multiple undos, true Mac OS X support, and full 24-bit resolution, new ReCycle 2.1 makes your sampled loops and grooves more manageable then ever. ReCycle 2.1 lets you slice up your samples into rhythmical sound chunks and create your own REX2 files, a format used and recognized by virtually all audio sequencers and software samplers on the market. Don’t have all those other programs? Don’t worry. Included in the ReCycle 2.1 application suite are three separate pieces of software – ReCycle, Reason Adapted and Reload – allowing ReCycle users to turn their REX:ed files into music, right out of the box!
New in ReCycle 2.1
· Mac OS X Support
· True Windows XP Support
· Multiple Undos
· Full 24-bit resolution
The ReCycle toolkit Reason Adapted and Reload included
Your favourite loop chopping software now comes with Reason Adapted and Reload included, for instant cutting, converting and composing.
Sampler Support
· Akai S1000/S1000PB/S1100/S1100PB, S2000/S3000 including "i" and "XL" versions.
· Akai S5000/6000 via AKP files
· Digidesign Sample Cell 1 & 2
· Ensoniq EPS/EPS 16+, ASR-10, ASR-88
· E-Mu Esi-32, SIC, e64 and all other modules running the EOS operating system
· Kurzweil K2000/K2500 incl. X, R, & S models
· Roland s-760
System requirements
Macintosh
· Any PowerPC processor, 16 Mb RAM, MacOS 8.0 or later, CD-rom drive, 640x480 or larger display with at least 256 colours.
· 16-bit audio (not required) and Apple Sound Manager 3.2.1 or later (included)
· For communication with MIDI samplers you need a MIDI interface compatible with OMS 2.3.6 (OMS is included) or later and/or a SCSI interface depending on the sampler you are using.
PC
· Intel Pentium processor (66 MHz or faster) , 16 Mb RAM, Windows 95/98, NT, 2000, or XP, CD-rom drive, 640x400 or larger display with at least 256 colours.
· 16-bit audio card (not required) with either MME or DirectX drivers. DirectX 6 is included and is preferred for best performance.
· For communication with MIDI samplers you need a MME compatible MIDI interface and/or an Adaptec compatible SCSI adapter card, depending on the sampler you are using.
Tempo and Timing
The next step is of course to bring your improved groove into one of your songs. At this point, the procedures differ depending on your equipment and preferred working method:
Start out with a regular audio file or sample, preferably one of a rhythmic nature. Load the groove into ReCycle, and the program will “look” at the groove, analyze it, and break it up into its rhythmic components. Each part is called a “slice”. The process itself is fully automated, but once the slices are there, they are yours to move, audition or delete, using the programs on-screen tools and controls. Other tools allow you to set the length, attack and decay of the slices, and to change your grooves’ overall tempo or pitch, without one affecting the other! It’s not magic, but it’s probably as close as you can get.
ReCycle goes way beyond simply solving groove problems and cleaning up your loop act – it’s a highly creative tool that helps you make the most of your grooves. In simple terms, ReCycle lets you do with sampled loops what you can do with beats programmed from individual drum sounds – like alter the tempo, or replace sounds and process them individually. ReCycle turns concrete-rigid loops into musical modelling clay, allowing you, the loopist, to do pretty much what you desire.