Focusrite TwinTrak Pro
June 2003 sees the launch of the Platinum TwinTrak Pro, the latest innovative member of the award-winning Focusrite Platinum range.
Designed principally as an affordable, high-specification dual mono/stereo tracking device, TT Pro (as it's affectionately known) also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19" rack-mount chassis.
Each channel features Focusrite's award-winning Platinum pre amp, embellished with the option of instant 'air' and variable input impedance for improved microphone performance and extended creativity. A mid-scoop EQ follows, and provides variable frequency and depth of cut for vocal problem solving and miked-up cabinet ambience
In pride of place is TT Pro's powerful dual mono/stereo optical compressor. This optical compressor features Focusrite's custom fast-acting optos, alongside side-chain inputs and the ability to operate as a true 'twinned' stereo pair. These circuit design innovations are complemented by a comprehensive set of focussed controls.
TT Pro is the first Platinum to feature a D/A converter as standard, alongside its optional analogue to digital converter. The D/A converter enables the user to feed mono or stereo digital signals into TT Pro. These signals can be fed either into the stereo latency-free monitoring section, or via line inputs (post- the pre amp stage) for further processing. The signal can then return to the digital audio workstation via Focusrite's established stereo A/D converter option.
Together, these facilities make TT Pro the perfect analogue interface for any digital audio workstation, and equally the world's first 'hardware plug-in'.
Features include:
2 award-winning Class A discrete transistor-based pre amps
Dual mono/stereo optical compressor, featuring custom fast-acting optos
Latency free monitoring with total control over balance, effects, mix and monitor levels
24 bit/192 kHz D/A fitted as standard, for processing digital signals or feeding digital signals into the monitoring path
An optional 24 bit/96kHz A/D. Both the A/D and the D/A feature wordclock (BNC)
Inductor-induced "Air" opens up high frequencies like an expensive transformer-balanced pre amp
Variable impedance for improved microphone performance and extended creativity
Mid scoop EQ for correcting problematic mid frequencies
Direct inputs on the front fascia for both instruments (Jack) and microphones (XLR)
Post pre amp inserts and compressor side-chain inserts, for enhanced processing flexibility
2 ocean blue peak-reading meters, innately beautiful and ideal for catching fast transients
With TwinTrak Pro, Focusrite's fanatical approach to quality design has given birth to twins.
Specifications
Gain range = 0dB to 60dB continuously variable
Input impedance = 50 Ohm to 3k3 Ohmcontinuously variable
EIN = 128dB measured at 60dB of gain with 150 Ohm terminating impedance and 20Hz/22kHz bandpass filter
THD at minimum gain (0dB) = 0.0004% measured with +16dBu input signal and with a 20Hz/22kHz bandpass filter
THD at maximum gain (60dB) = 0.003% measured with a –36dBu input signal and with a 20Hz/22kHz bandpass filter
THD at maximum input level (26.5dBu) = 0.005% measured with a 20Hz/22kHz bandpass filter
Frequency response at minimum gain (0dB) = flat at 10Hz and –2dB down at 200kHz
Frequency response at maximum gain (60dB) = –2dB down at 10Hz and 200kHz
CMRR at full gain (60dB) = 80dB
Line Input Response
Gain range = -10dB to +10dB continuously variable
Input impedance = 10kOhm from 10Hz to 200kHz
Noise at main output with gain set to 0dB = -94dBu measured with a 20Hz/22kHz bandpass filter
Noise at –10dBV output with gain at 0dB = -100dBu measured with a 20Hz/22kHz bandpass filter
Signal to noise ratio relative to max headroom (27dBu) = 121dB
Signal to noise ratio relative to 0dBfs (+22dBu) = 116dB
THD at unity gain (0dB) = 0.0006% measured with 0dBfs (+22dBu) input signal and with a 20Hz/22kHz bandpass filter
Frequency response at unity gain (0dB) = 0.1dB down at 10Hz and –3dB down at 200kHz
Instrument Input Response
Gain range (High Gain switch out) = 0dB to 20dB continuously variable
Gain range (High Gain switch in) = 20dB to 40dB continuously variable
Input Impedance = > 1MOhm
Noise at minimum gain (0dB) = -90dBu measured with a 20Hz/22kHz bandpass filter
Noise at maximum gain (40dB) = -78dBu measured with a 20Hz/22kHz bandpass filter
THD at minimum gain (0dB) = 0.006% measured with –10dBu input signal and with a 20Hz/22kHz bandpass filter
Frequency response at unity gain (0dB) = 0.5dB down at 10Hz and –1dB down at 200kHz
Frequency response at maximum gain (40dB) = 6dB down at 10Hz and –1dB down at 200kHz
Input Meter
6 LED peak reading meter is calibrated relative to 0dBfs where 0dBfs = +22dBu (the maximum level which can be correctly converted by the optional internal A/D converter before overload occurs). The meter calibration points are as follows:
Meter panel calibration value: Equivalent dBu value
0dBFS: +22dBu (the maximum level the ADC can convert before digital distortion occurs)
-6dBFS: +16dBu
-12dBFS: +10dBu
-18dBFS: +4dBu (the normal signal level in an analogue system to allow headroom for additional processing such as EQ)
-24dBFS: -2dBu
-42dBFS: -20dBu
Channel Insert
Unbalanced input and output on balanced (TRS) socket as follows:
Tip = Send (Output)
Ring = Return (Input)
Signal level equivalent to –6dB below normal operating level.
High Pass Filter
Roll off = 12dB per octave 2-pole filter
Cut off frequency:
-3dB at 120Hz
-6dB at 85Hz
-12dB at 56Hz
Optical Compressor
Threshold hold range = -12dBFS (10 dBu) to –42dBFS (-20dBu)
Compressor ratio (Hard Ratio switch out) = 2.5:1
Compressor ratio (Hard Ratio switch in) = 6:1
Attack time (Slow Attack switch out) = 0.5ms.
Attack time (Slow Attack switch in) = 5ms.
Release time = 100ms to 1s and then auto release mode when the release knob is turned fully clockwise. Auto release creates a release time dependent upon the average level of the incoming signal
Noise = -94dBu measured with a 20Hz/22kHz bandpass filter
Makeup gain = 0 to +21 dB
Compressor Sidechain Insert
Can be used to input an independent signal to trigger compression or to allow the sidechain audio to be sent in and out of the unit via an external processor, such as an EQ for frequency conscious compression and de-essing of vocals
Connector is an unbalanced input and output on balanced (TRS) socket as follows:-
Tip = Send (Output)
Ring = Return (Input)
Signal level equivalent to –6 dB below normal operating level
Mid Scoop EQ
EQ shape = Peak
Centre frequency = Variable between 120Hz and 2kHz
Cut (Deep switch out) = -6dB
Cut (Deep switch in) = -12dB
Q (Deep switch out) = 1.5
Q (Deep switch in) = 3
FX Send
Unbalanced output, signal level equivalent to –6dB below normal operating level
Noise = -94dBu measured with a 20Hz/22kHz bandpass filter
Maximum output signal level = +20dBu
FX Return
Balanced input
Operating level = +4dBu
Headphones Mix
Unbalanced output, signal level equivalent to –6dB below normal operating level
Noise = -94dBu measured with a 20Hz/22kHz bandpass filter
Maximum output signal level = +20dBu
Monitor Input
Balanced input
Operating level = +4dBu
Monitor Output
Balanced output
Operating level = +4dBu
Noise = -98dBu measured with a 20Hz/22kHz bandpass filter and monitor level knob at maximum output level (fully clockwise)
Maximum output signal level = +26dBu
DAC Performance
Playback sample frequency = 32kHz to 192kHz.
Maximum bit depth = 24-bit
Maximum analogue output level = +21dBu.
Dynamic Range = 111dB measured with A weighted filter.
Wordclock BNC connector outputs a regenerated wordclock at the sample frequency contained within the SPDIF signal connected to the RCA connector
Output Meter
Calibrated for 0dBFS = +22dBu and indicates the level after the output fader being sent to both the internal AD converter and the TwinTrak Pro XLR output
O/L LED is lit when any section of the unit (including the headphone output) reaches a level greater than 0dBFS (O/L: LED triggered at +22.4dBu)
Weight
5kg
Dimensions
482mm (W) x 88mm (H) x 180mm (D)
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